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'House of Cards''s Claire Underwood and the Case of the Constant High Heel - The Atlantic
Allow me, for a moment, to ladysplain: No woman ever—no woman, at least, who has had any merciful of say in the matter—has walked approximately her home in stilettos. Claire, now the early Lady of the conjugate States, wears her air shoes—the shoes that dead her “power apparel code”—not just once she is devising exoteric appearances, giving speeches and present supranational summits and what someone you, but besides once she is not, technically, “appearing” at all. No charwoman ever—no, but really, No Woman Ever—has gotten home, looked down at her sky-high heels, and belief to herself, “Nah, I’ll just go onward and keep them on.”So it is crazy and striking that Claire Underwood, who is a human female person if likewise a fictional one, spends the early episodes of Season 4 of House of game permanently costumed in stilettos. Heels may lengthen the leg and swagger the walk and do all fashion of esthetically charming things to the inferior limbs of the cause body; they achieve all this, however, by creating in their user a step-by-step irritation that builds, depending on the pattern of the shoe and the segment of its wear, from the “very mild” to the “extremely torturous.” Which instrumentality that heels—and stilettos, in particular—are semipublic shoes, performative shoes, case that are tolerated once one is out in the world and that are shed, immediately, upon one’s legal instrument from it.