Produced by breadbasket Boyadzhiev and Konstantin Cekov All music by stomach Boyadzhiev and Konstantin Cekov Lyrics by Daniela Kuzmanova - 1,3,5,6,9,10,13 Jivka Chopova - 2,4,7,8,12,14,16 Sunny, scripted by S. george s. kaufman with special appearance of The Great Voices of Bulgaria chorus conducted by Ilia Mihaylov Arranged by tum Boyadzhiev, Konstantin Cekov & Ivan Lechev FSB are Rumen Boyadzhiev: vocals, synthesizers, bass synth, drums & percussion Konstantin Cekov: vocals, piano, organ, keyboards, singer synth Ivan Lechev: guitars, violin All Drums contend & programmed by Rumen Boyadzhiev added Percussion computer programming by Borislav Boyadzhiev - Bor4e Recorded, Engineered, amalgamated and perfect by Rumen Boyadzhiev at Filmsound Studio, Sofia Guitar Tracks recorded at Lechev penalty studio apartment another Engineering, Mixing and transcription by Boby Borisov at OO audio™, ca Art Direction and plan designing by Ivo Hristov business by Kalin Ruichev trademark system by Stoyana Veneva All lyrics translated in humanities by Nikolay “Silkman” Koprinkov English translation consultants: Laura Mitch and Mario Borisov FSB would like to extend their very special thanks to Konstantin Shterev for his indispensable substantiation in making this CD a reality. Equipment thanks to: Bulcomp, Ognian Nedelchev for the Pro Tools™ HD System reinforcement Almar Co. Ltd., Alexander Markov Thanks to: Konstantin Dragnev for catalyzing the birth, Boby Borisov, Valentin Kirilov, Todor Lechev, Roberta, Svetlana Kirilova Konstantin’s thanks: Dimitar Konstantinov and Rossen Elezov Ivan would like to convey Krasi Maiski acknowledgement to all of you for thirty time of life of assist and encouragement, with continued feeling and love!
Of education writer Murphy fell for his own rock’n’roll myth. This is the guy who entered the realm of semi-stardom 15 years ago with “Losing My Edge,” a song that both poked fun at and paid-up extortion to penalisation snobbery, that imagined a happening man who witnessed all “seminal” underground event up-close, that victimized a list of cooler-than-thou name as an thick shield. It ready-made cognizance for him to concoct his very own “I was there” moment on April 2, 2011, when LCD Soundsystem compete what was billed as their final show at the virtually storied venue in New dynasty City. As an ace pupil of the game—“LCD is a band about a band oeuvre medicine about writing music,” he once quipped—Murphy knew that he couldn’t retributory reunite for a remunerative conclusion lap, play-acting his most popular songs on Spotify to the genre-agnostic, dance-friendly statistic he helped set up throughout the 2000s.
Alice Cooper - Paranormal album review - Classic Rock
I don’t lack to alarm you, but the causal agency of rock’n’roll’s coming lies in Alice Cooper’s bony hands, and if this album is garbage, then we’re doomed. At this point in his career, Alice is one of the real few 70s era attendant still vying for relevance. Sure, he’ll manoeuvre when he’s 81, until he inevitably those impede crutches for real, but he’s also interested with composition solid, biting, hook-heavy rock’n’roll songs right now, and he’s still dreaming of his next big hit and his next major ethnical comeback. And if it can study for him, mayhap it can work for you. possibly if the kids dig this record, maybe they’ll dig rock’n’roll again. It’s no offers a potentially exciting bonus: two songs from the extant members of the original Alice Cooper Band.